Masterpiece has a BPM/tempo of 144, is in the key C Minor and has a duration of 03:40. That's where I get most of my money." Jessie J has written for Alicia Keys too. Masterpiece is a song by Jessie J released on 14th October 2014. She told Glamour, "'Party in the U.S.A.' paid my rent for, like, three years. We all know Miley Cyrus' "Party in the U.S.A." Jessie J co-wrote the hit. Will three times be a charm for Jessie J or will she keep at it? For the sake of her fans, let's hope there's much more to come from the artist.Īlong with recording and performing, Jessie J is a songwriter with creativity behind the scenes. With three albums under her belt, the 30-year-old is already quite accomplished. Jessie J - Flashlight : When tomorrow comes, I'll be on my own,, , Feeling frightened up. Some of her best and brightest singles include "Flashlight," "Masterpiece," "Nobody's Perfect," "Domino," and "Bang Bang," a collaboration with Ariana Grande and Nicki Minaj.
JESSIE J FLASHLIGHT ALBUM NAME FULL
They are full of energy and meaning, and Jessie J's voice is powerful while remaining personal. Here's more to know about the "Price Tag" singer. And these days, the singer is basking in the heat of a sizzling romance with actor Channing Tatum. She's down for a collaboration and is a standout solo performer. The British beauty is known for her soulful, R&B-inspired hits, cool look, and anti-diva attitude. Whether on stage singing or relating to fans with her personal struggles, singer Jessie J keeps it real and reels us in. Now that her inner Essex girl is cracking wise again, we can perhaps look forward to a more balanced J.Her voice will knock you out and her strength is inspiring. Jessie’s defining characteristic (which is either impressive or irritating, depending where you stand) is her full-on, melismatic engagement with her music. As with all of her material, they don’t adhere to any particular style – there’s a bit of dancepop, some Pinkesque rock and big, tremulous balladry – and while strong live they inevitably pale before her chart-topping hits Price Tag and Bang Bang, with backing vocalists standing in for Nicki Minaj and Ariana Grande on the latter. It ties in neatly with today’s self-care movement, and the new songs played tonight, particularly the funk-rocking Not My Ex, hint that the album will be packed with more earnest but likable sermons. ROSE stands for Realisations, Obsessions, Sex, Empowerment, and Jessie’s oft-told story – the Brit School, the YouTube years, the long-term emotional fragility that spawned tonight’s opening song, Who You Are (its payoff line: “It’s OK not to be OK,” is gustily sung by everyone in the house) – is mentioned again this evening. “Even though this isn’t the best song on the album in some people’s opinion, it was the right one to go with first because it tells my story,” she explains, as her keyboardist trickles out the intro to ROSE’s lead single, Think About That. It’s really annoying.” Keen to cover all bases, she also deploys some self-deprecating charm.
“If you know the words, sing along,” she advises before a stormy Nobody’s Perfect. If her new album, titled ROSE, doesn’t do it, her spiky British wit might. Having potentially alienated the fans who hadn’t been put off by her table-thumping enthusiasm as a judge on The Voice, she’s now campaigning to reassert herself in the UK. Though she has probably spent too much time in the States to ever fully reacquaint herself with fundamental British concepts such as pessimism and the half-empty glass, she also no longer seems to be the aspirant Mariah who moved to Los Angeles in 2014 because she was treated “as an artist” there, whereas the British “ don’t appreciate my voice”. Or if not Vegas, Pontins.” Primped and Americanised as she is, the singer still has Essex running through her veins. ‘W hen I’m 85,” says Jessie J, who is 29, “I’ll probably be doing Vegas.
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